django

jak oglosza to bedzie ok, plyte ukradne, na koncert pojde jezeli beda grac u nas. Cos jednak czuje, ze rewelki nie bedzie, Patton dawno sie zgubil w tym co robi.

Zaraz, to znaczy, ze jezeli nie jestem na tyle hardkorowy by prosic w sklepie o orange juice i pare beers by sobie wieczorem poplayowac na mojej console w nowa game to nie powinnienem kupowac PE? Używanie zaporzyczen, gdy istnieje polski, sensowny odpowiednik = idiotyzm.

Jesus Lizard robia reunite'a. Też na ATP, chociaz moze beda i inne koncerty. Plus będą wydane remastery wszystkich płytek.

no zalezy, gdzie by je postawic. W salonie to moze by byla taka 'mala' lipa i sredni lans, ale jakby w pokoju + glosnosc na full = szatan.

jakis czas temu znajomy polecil takie glosniki od tamtego czasu to jest taki moj maly cel. Ponoc jakoscia bija na glowe wiele drozszych kolumn. Niestety z subwooferem i odtwarzaczem nie pomoge.

sprawa jest wlasnie taka, ze na srednio dobry zestaw audio trzeba wydac jakies 800zl, a jak masz piec glosnikow za, powiedzmy, 1500 to rewelki nie bedzie. Po prostu trzeba wlozyc duzo wiecej kasy. Ja bym raczej inwestowal w zwykle audio.

wspolnego ma osobe Giry. Mialem zakladac oddzielny temat dla Swansow i dla innych rzeczy?

The Angels of Light - We Are Him Michael Gira wspierany przez muzyków Akron/Family na IMO najlepszej plycie formacji 'TAoL'. 'We Are Him' to dwanaście niesamowitych utworów oscylujących wokół alt-country i 'nowego' folku. Płyta, mimo, że bardzo spójna klimatycznie, jest niesamowicie zróżnicowana dźwiękowo. Pojawia się tutaj i gospel, coś około rockowego, jakieś balladki, elementy post-rockowych soundscape'ów itakdalej itympodobne. Album jest niesamowicie przejmujący, głos Giry (?) to absolut, nieskazitelnie czysty oraz przekazujący mnóstwo emocji w czym pomagają świetne teksty piosenek. Szczerze mówiąc, nie wiem co dalej mogę napisać o tym albumie. (Stosunkowo) Niewiele jest w moim katalogu ocen 10/10, ale nie mogę nic innego jej wystawić. Uzależniający album od którego ciężko się opędzić a przy tym wzorowo zagrany, zaśpiewany, wyprodukowany, wydany i ukradziony. Wiem, że jeżeli w tym momencie bym ją włączył to wyleciałaby z plejera dopiero za pare dni. Moc. na dole jeszcze zapodam recenzje z biczdorka The Angels Of Light - [We Are Him #01] Black River Song [3:15] The Angels Of Light - [We Are Him #02] Promise Of Water [5:27] The Angels Of Light - [We Are Him #03] The Man We Left Behind [5:51] The Angels Of Light - [We Are Him #04] My Brother's Man [4:18] The Angels Of Light - [We Are Him #05] Not Here/Not Now [5:42] The Angels Of Light - [We Are Him #06] Joseph's Song [4:03] The Angels Of Light - [We Are Him #07] We Are Him [4:11] The Angels Of Light - [We Are Him #08] Sometimes I Dream I'm Hurting You [6:27] The Angels Of Light - [We Are Him #09] Sunflower's Here To Stay [3:01] The Angels Of Light - [We Are Him #10] Good Bye Mary Lou [3:08] The Angels Of Light - [We Are Him #11] The Visitor [4:35] The Angels Of Light - [We Are Him #12] Star Chaser [5:50] http://mlodyboug.diinoweb.com/files/UP/%5B...20Are%20Him.rar A year ago, writing for Perfect Sound Forever, Brian Hell buried himself in a series of questions about lyrics with Michael Gira. The Angels of Light Sing "Other People"-- the fifth album from Gira's prime project since Swans' end in 1997-- had just been released. The most telling question and answer refer to "Simon Is Stronger Than Us", a playful song with Akron/Family, then Gira's backing band, teasing his broad baritone with yelps for harmonies. Hell inquired if the line "And Francis did that, too, though Francis trawled London and made no excuse" was a reference to Irish painter Francis Bacon: "Well yes, I am referring to Francis Bacon there, very astute of you," the singer replied. Of course Gira would reference Bacon, call him by name even: Articulating with screams, something Bacon specialized in while painting, has been paramount to Gira's aesthetic for a quarter century now. On We Are Him-- his sixth and arguably most engaging album as Angels of Light-- he lands some of the best of those complete releases. Gira seems more empowered and commanding than he has in a decade, the emotions he's conveying coming in huge fits that, like Bacon's, are as powerful as they are draining. He's backed by one of the most impressive guest lists of the year (Akron/Family providing the basic tracks, plus new friends or longtime collaborators Larkin Grimm, David Garland, and Bill Rieflin), but one must understand that this is Gira's album. He lets it all out and wastes little time: Four seconds into the colossal opening track, "Black River Song", for instance, a thick electric bass knock pumps against every heavy drum hit and compacted guitar sinew: "Black river runs/ beneath this ground/ Black river flows forever/ But he makes no sound." The chorus-- some variation of the series, "Fading, growing, breathing, flowing," sung by Gira and female voices-- is sinister, challenging and almost sexy. A track later, a rocking-chair rhythm moans beneath Gira's snarl. He's rarely sounded this foreboding: Prodded by a scathing, raw violin drone and a daring chorus of sirens, it's an escalating dirge for the collapse of society, full of floods, blood and mouths too stupid to scream. Beneath an electric guitar twitter, heavy drums and furious strings on "My Brother's Man", Gira hands down these imprecations: "I walk through the thick black mud. I walk with my brother's blood. I see with my brother's eye. I scream at my brother's sky." Swans, anyone? But this record isn't so simple. "My Brother's Man" notes that the brother is capable of murder and so is Gira. But it embraces the relationship, vowing to crush god "in my fucking hand" for the sake of fraternal legacy. It's protective, triumphant. The subsequent "This Is Not Here"-- a dark duet with Gira's wife, Siobhan Duffy-- offers the lovers choices and endings: Will the world steal the sun, or will the lovers touch the light? "Will you dream that we breathe?" It's not about anger or fatalism. In 1984, Gira screamed about burning and eating hearts on "Raping a Slave"; in 1995, he sang about supplication to God while witnessing the fragility of the world during "Our Love Lies". We Are Him is a near-perfect, totally committed summation hammering at the same unresolved archetypes from someone who's now a father. That's not to say that this album is without its share of misses, or at least the occasional artistic anomie that has, by now, become a requisite of Gira's work. Those songs aren't better left unsung: "Goodbye Mary Lou" has a purpose, its rhythm an uneasy country twitter that leaves Gira little room to do much but say exactly what he's feeling. The first verse ends "Mary Lou, I renounce you"; the second, "Mary Lou, fuck you"; and in closing, the indiscretions of young anger that have been boiling for a lifetime come crashing down with a wink: "Oh Mary Lou, I forgive you." We Are Him is ultimately about getting by, about trying to survive with a family and a faith at a time when "the dogs...howl as the street fills with blood." Gira, at 53, continues to evolve, to challenge himself, to question his beliefs. As long as he does that, every song won't roar like the perfect first two tracks of We Are Him or have the brilliant gospel insistence of the title track. The slight, charming chamber pop he tries won't always work as it does on "Sunflower's Here to Stay", a song that pushes for persistence. Luckily, doing otherwise has never been an option for Gira. na stronie wytworni macie sample jakby ktos sie wachal/nie wiedzial czego sie spodziewac:http://younggodrecords.com/Releases/Detail.asp?C=291

przeciez 4fun to chu.jnia z grzybnia, co ty gadasz kowal

proste, ze jasne. A z tym pattonofilem to niezla beka. Tylko ktos, kto slucha rednecków z Texasu moglby cos takiego wymyslic, hio hio hio.

jakies 140-150km/h Skoda Octavia 2.0, ale w dieslu. Na wiecej podlaskie drogi nie pozwalaja. Chyba, ze masz hajs na nowe zawieszenie.

i po krzyku hihihi

nowy ulubiony zespol Milana?

ej ale wezcie wypier.dalajcie z tymi tematami do 'rocka'

onet cos sieje ferment, ze w wawce. W zasadzie nawet lepiej, ale szkoda, ze pare dni po Nadji...

http://secret-music-box.blogspot.com/2007/12/emancipator-soon-it-will-be-cold-enough.html raczej chyba o to chodzilo

w ogole ten rok jakis taki z du.py byl. W zeszlym mozna bylo przebierac w swietnych plytach - Neurosis, Jesu, Electric Wizard, The Angels Of Light, Tomahawk, Einsturzende Neubauten etc. W tym to chyba tylko nowy Fennesz sie wybija. Na szczescie 2009 zapowiada sie baaardzo ciekawie

ten chlopczyk bedzie gral na perce od przyszlego roku o_O czy tam juz gra nawet

: Nie lubie TITD, wole posluchac Nile. : Jestes karlem umyslowym, nie znasz sie na muzyce. Wysilek umyslowy jest Ci obcy. tak to wygladalo panie wladzo, przysiegam

jak dla mnie to on wyglada jakby chcial bule puscic, ale jak uwazasz. Ktos w komentach napisal, ze rudy byl chory akurat co z reszta widac. W trakcie tej piosenki jakis typo czym w niego rzucil, w 'related videos' jest

w ktorym miejscu, bo chyba juz do konca osleplem?

mial ktos stycznosc z dwuefektem Overdrive/Sustain od Behringera? Bo w sklepie w okolicy maja go za 89zlociszy, a z tego co patrzylem to sam Sustain z tej samej firmy to ok. 100zl. Wtf?

spoko, sam jestem ciekaw jak to wyjdzie. Szkoda, ze na wideo raczej nie ma liczyc, na ATP ponoc ochroniarze to straszne (pipi). Jakby co to narazie znalazlem takie cos na oslode czekania:

w zasadzie zadne zaskoczenie, ale bedzie nowa plytka Down. Jeszcze w tym roku maja wejsc do studia.